Type 36 x 124mm CMOS
Effective Pixels approx. 30.4 megapixels
Total Pixels approx. 31.7 megapixels
Aspect Ratio 3:2
Low-Pass Filter Built-in/Fixed
Sensor Cleaning EOS integrated cleaning system
Colour Filter Type Primary Colour
Type DIGIC 6+
Lens Mount EF (excludes EF-S and EF-M lenses)
Type TTL-secondary image-forming phase-difference detection system with dedicated AF sensor
AF System/ Points 61 pont / max. of 41 cross-type AF points, including 5 dual cross-type at f2.8 and 61 points / 21 cross-type AF points at f8. (The number of cross-type AF points depends on the lens used.)
AF Working Range EV -3 to 18 (at 23°C, ISO 100)
AF Modes AI Focus, One Shot, AI Servo AF
AF Point Selection
Automatic selection: all 61 point AF (based on EOS iTR AF setting)
Manual selection: single point AF (selectable points 61, 15, 9 or cross-type only points selectable)
Manual selection: single point Spot AF
Manual selection: AF point Expansion 4 points (up, down, left right)
Manual selection: AF point Expension surrounding 8 points
Manual selection: Zone AF (all points divided into 9 focusing zones
Manual selection: Large Zone AF (all AF points divided into 3 focusing zones)
AF points can be selected separately for vertical and horizontal shooting.
Selected AF Point Display ITransparent LCD in viewfinder and shown on Quick Control screen
Predictive AF Yes, up to 8 metres (with EF 300mm f2.8 IS USM at 50kph
AF Lock Locked when shutter button is pressed half-way or AF ON is pressed in One-shot AF mode. Using customised button set to AF stop in AI Servo
AF Assist Beam Emitted by an optional dedicated Speedlite
Manual Focus Selected on lens
AF Microadjustment Manual: Enter adjustment ±20 steps (wide and tele setting for zoom lenses. Adjust all lenses by the same amount or adjust up to 40 lenses individually. Adjustments remembered for lens by serial number.
Metering Modes Approx. 150,000-pixel RGB+IR metering sensor, 252-zone metering. EOS Intelligent Subject Analysis system.
(1) Evaluative metering (linked to all AF points)
(2) Partial metering (approx. 6.1% of viewfinder at centre)
(3) Spot metering: Centre spot metering (approx. 1.3% of viewfinder); AF point-linked spot mtering not provided
(4) Centre-weighted average metering
Metering Brightness Range EV 0 to 20 (at 23°C, ISO 100, with evaluative metering)
AE Lock Auto: in One-shot AF mode with evaluative metering, AE Lock takes effect when focus is achieved. Manual: by AE lock button in P, Av, Tv and M modes
Exposure Compensation ±5 EV in 1/3 or 1/2 stop increments (can be combined with AEB)
AEB ±3 EV in 1/2 or 1/3-stop increments
Anti-flicker shooting Flicker detected at a frequency of 100 Hz or 120 HZ; maximum continuous shooting speed may decrease
ISO Sensitivity Auto: 100-32000 (in 1/3 stop or whole stop increments); ISO can be expanded to L:50, H1:51200, H2:102400.
Type Electronically-controlled focal-plane shutter
Speeds 30 seconds to 1/8000 second (1/2 or 1/3 stop increments), Bulb. (Total shutter speed range; available range varies by shooting mode)
Shutter release Soft touch electromagnetic release
Type Auto white balance with the imaging sensor
Settings AWB (Ambience priority, White priority), Daylight, Shade, Cloudy, Tungsten, White Fluorescent light, Flash, Custom, Colour Temperature setting.
White balance compensation 1) Blue/Amber ±9; 2) Magenta/ Green ±9.
Custom White Balance One setting can be registered
WB Bracketing ±3 levels in single level increments; 2, 3, 5 or 7 bracketed images per shutter release. Selectable Blue/Amber bias or Magenta/ Green bias.
Coverage (Vertical/Horizontal) Approx. 100%
Magnification Approx. 0.71x (with 50mm lens at infinity, 1 dioptre)
Eyepoint Approx. 21mm (from eyepiece lens centre)
Built-in dioptre correction -3 to +1 dioptres
Focusing Screen Fixed, with information Transparent LCD overlay
Mirror Quick-return half mirror
AF information: Single/Spot AF points, AF Frame, AF status, Focus indicator, AF mode, AF point selection, AF point registration
Exposure information: shutter speed, aperture value, ISO speed (always displayed), AE lock, exposure level/compensation, flash metering,spot metering circle, exposure warning, AEB, metering mode, shooting mode
Flash information: flash ready, high-speed sync, FE lock, flash exposure compensation, red-eye reduction light
Image information: Card information, maximum burst (2 digit display), Highlight Tone priority (D+), JPEG/RAW indicator, Dual Pixel RAW, Digital Lens Optimiser
Composition information grid, electronic level
Other information battery check, warning symbol, Flicker detection, drive mode, white balance
Depth-of-field preview Yes, with depth-of-field preview button
Eyepiece shutter on camera strap
Type 8.10cm (3.2 inch) Clear View LCD II, approx 1620K dots
Coverage Approx. 100%
Viewing Angle (horizontally/vertically) Approx 170°
Coating anti-reflection and anti-smudge. Reinforced glass incorporated
Brightness Adjustment Adjustable to one of seven levels
Colour tone adjustment 4 settings
Touch-screen operations Capacitive method with menu functions, Quick Control settings, playback operations and magnified display. AF point selection in Live View and Movies. Touch shutter is possible in Live View still photo shooting.
Display Options 1) Quick Control Screen; 2) Camera settings; 3) Electronic level; 4) Custom Quick Control Screen
Modes E-TTL II Auto Flash, Metered Manual
Flash Exposure Compensation ±3EV in 1/3 increments with EX-series Speedlites
Flash Exposure Bracketing with compatible external flash
Flash Exposure Lock Yes
Second Curtain Synchronisation Yes
PC Terminal Yes
External Flash Compatibility E-TTL II with EX series Speedlites, wireless multi-flash support
External Flash Control via camera menu screen
Modes Scene Intelligent Auto, Program AE, Shutter priority AE, Aperture priority AE, Manual (stills and movie), Bulb, Custom (x3)
Picture Styles Auto,Standard, Portrait, Landscape, Fine detail, Neutral, Faithful, Monochrome, User Defined (x3)
Colour Space sRGB and Adobe RGB
Highlight Tone Priority
Auto Lighting Optimizer (4 settings)
Long exposure noise reduction
High ISO speed noise reduction (4 settings)
Lens optical correction (not possible with M-RAW and S-RAW):
• Peripheral illumination correction, Chromatic aberration correction (during/afterstill photo shooting, during video only)
• Distortion correction, Diffraction correction, Digital lens optimiser (during/after still photo shooting)
Resize to M, S1, S2 or S3 (frame grab images from 4K movies and images shot in S3 quality cannot be resized)
Cropping: JPEG images can be cropped (aspect rations 3:2, 4:3, 16:9, 1:1)
• 45 cropping sizes selectable from 11% to 95% (diagonal)
• cropping frame can be moved using touch screen operation
Raw image processing (during image playback only with RAW and Dual Pixel RAW only)
Drive Modes Single, Continuous High, Continuous Low, Silent single, Silent continuous, Self timer (2 seconds + remote, 10 seconds + remote)
Continuous Shooting Max. approx. 7fps with full AF/AE tracking; speed maintained for up to an unlimited number of JPEG images (Large/Fine quality) with UHS-1 card or 21 RAW images (with UDMA 7 CF card), (based on Canon's testing conditions and varies depending on the subject, memory card brand and capacity, image recording quality, ISO speed, drive mode, Picture Style, Custom Functions, etc. Maximum fps and buffer capacity may be reduced depending on the camera settings and light levels)
Interval timer built-in, number of shots selectable from 1 to 99 or unlimited (selectable interval time – 1 second to 99 hours, 59 minutes, 59 seconds). Bulb timer possible (selectable time – 1 second to 99 hours, 59 minutes, 59 seconds)
LIVE VIEW MODE
Type Electronic viewfinder with image sensor
Coverage approx. 100% vertically and horizontally
Frame Rate 29.97fps (may increase when AF is performed)
Manual Focus (magnify the image 5x or 10x at any point on screen)
Autofocus: Dual Pixel CMOS AF (Face detection and Tracking AF, FlexiZone - Single, FlexiZone - Multi), available with all EF lenses and Touch Shutter
Metering Real-time evaluative metering with image sensor (315-zone); partial metering (approx. 2.7% of Live View screen), spot metering (approx. 2.7% of Live View screen, centre-weighted average metering. Active metering timer can be changed.
Display Options 4 levels available through INFO button (no information, basic shooting information, advanced shooting information, advanced shooting information with histogram). Multiple exposure status also available in multiple exposure mode.
Still Image Type
JPEG: 3 compression options
RAW: RAW, M-RAW, S-RAW and Dual Pixel RAW (14-bit, Canon original RAW 2nd edition)
Complies with EXIF 2.3 and Design rule for Camera File system 2.0.
Complies with Digital Print Order Format [DPOF] Version 1.1
RAW+JPEG Simultaneous Recording Any combination of RAW+JPEG possible. Separate formats to separate cards possible, including Dual Pixel RAW+JPEG
JPEG 3:2: (L) 6720x4480, (M) 34464x2976, (S1) 3360x2240, (S2) 11696x1280, (S3) 640x480
JPEG 4:3: (L) 5952x4480, (M) 3968x2976, (S1) 2976x2240, (S2) 11920x1280, (S3) 720x480
JPEG 16:9: (L) 6720x3776, (M) 4464x2512, (S1) 3360x1888, (S2) 1920x1080, (S3) 720x408
JPEG 1:1: (L) 4480x4480, (M) 2976x2976, (S1) 2240x2240, (S2) 1280x1280, (S3) 480x480
RAW: (RAW) 6720x4480, (M-RAW) 5040x3360, (S-RAW) 3360x2240
Folders new folder can be manually created and selected
File numbering 1) consecutive numbering; 2) auto reset; 3) manual reset
• MOV video: 4K (17:9) 4096x2160 - Motion JPEG (internal recording only)
• Full HD, HD - MPEG4 AVC / H.254 variable (average) bit rate, Audio: Linear PCM
• MP$ Video: Full HD (16:9) 1920x 1080 - MPEG4 AVC/H.264, Audio: AAC
• 4K (17:9) 4096x2160 (29.97, 25, 24, 23.98fps) Motion JPEG
• Full HD (16:9) 1920x1080 (59.94, 50, 29.97, 25, 23.98fps) intra or inter frame
• Full HD (16:9) 1920x1080 HDR ( 29.97, 25 fps) inter frame
• Full HD (16:9) 1920x1080 (29.97, 25fps) lite inter frame
• HD (16:9) 1280x720 (119.9, 100 fps) intra frame
Colour sampling (internal recording)
•4K - YCbCr4:2:2 (8 bit)
• Full HD/ HD - YCbCr4:2:0 (8 bit)
Movie Length 4K and Full HD - Maximum duration 29min 59sec. (excluding High Frame Rate movies). No 4GB file limit with exFAT CF card
High Frame Rate Movie MOV Video: HD - 1280 x 720 at 100fps or 119.9fps. Recorded as 1/4-speed slow motion movie. Single scene maximum recording up to 7min 29sec.
4K Frame Grab 8.8 megapixel JPEG still image frame grab from 4K movie possible
4K (29.97p/25.00p/24.00p/23.98p): Approx. 500 Mbps
Full HD (59.94p/50.00p)/ALL-I: Approx. 180 Mbps
Full HD (59.94p/50.00p)/IPB Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/ALL-I: Approx. 90 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
HD (119.9p/100.0p)/ALL-I: Approx. 160 Mbps
Full HD (59.94p/50.00p)/IPB (Standard): Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
Full HD (29.97p/25.00p)/IPB (Light): Approx. 12 Mbps
Microphone Built-in monaural microphone (48Khz, 16 bit x 2 ch)
HDMI display External monitor only, External Monitor only without information display or Simultaneous on camera and external monitor
HDMI output Full HD recording only, uncompressed YCbCr 4:2:2, 8-bit, sound output via HDMI is also possible
Focusing Dual Pixel CMOS AF with Face Detection and Tracking AF, Movie Servo AF, Manual Focus
ISO 4K - Auto: 100-12800, H: 25600, H: 32000, H1: 51200, H2: 102400
Full HD / HD - Auto: 100-25600, H: 32000, H1: 51200, H2:102400
Geotag information Longitude, Latitude, Elevation, Coordinated Universal Time
Positioning modes Mode 1: Camera continues to receive GPS signals at regular intervals when power is switched off. Mode 2: GPS is switched off when power is switched off
Position update timing Intervals of 1, 5, 10, 15, 30 seconds, 1, 2 or 5 minutes
Position accuracy Within approx. 30m/98.4 ft (based on good GPS satellite reception conditions on a clear day with no surrounding obstructions)
Compatible satellite navigation systems
• GPS satellites (USA)
• GLONASS satellites (Russia)
• Quasi-Zenith Satellite Michibiki (Japan)
Log files format NMEA Format. One log file per day based
Log file usage Transfer log data to memory card and copy it to a computer. Use Map Utility to append the log file to the images
Digital compass Not provided
Custom Functions 17 Custom Functions with 46 settings
• User copyright information (can be set in camera)
• Image rating (0-5 stars)
• IPTC data (registered with EOS Utility)
• Image transfer with caption (caption registered with EOS Utility)
LCD panel / illumination Yes / yes
Water/dust resistance Yes
Voice memo no
Intelligent Orientation Sensor Yes
Playback zoom 1.5x to 10x in 15 steps
1) Single image
2) Single image with information (2 levels )
• Basic - Shooting information (shutter speed, aperture, ISO and Image quality)
• Detailed - Shooting information (shutter speed, aperture, ISO, metering Image, quality and file size), Lens information , Brightness and RGB histogram, White balance, Picture Style, Color space and noise reduction, Lens optical correction, GPS information
3) 4 image index
4) 9 image index
5) 36 image index
6) 100 image index
7) Jump Display (1, 10 or 100 images, Date, Folder, Movies, Stills, Protected images, Rating)
8) Movie edit
9) RAW processing
• Image selection: all images, by date, by folder, movies, stills, protected images, rating
Playback time: 1/2/3/5/10/20 seconds
Histogram Brightness and RGB
Highlight Alert Yes
Image Erase Single image, selected images, folder or card
Image erase protection single image, folder or card
1) Shooting menu 1 - 6
2) AF Menu 1 - 5
3) Playback menu 1 - 3
4) Setup menu 1 - 5
5) Custom Functions menu 1 - 5
6) My Menu (1 - 5 user selectable)
Languages 25 Languages: English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Firmware Update Update possible by the user (camera, lens WFT, external Speedlite).
Computer SuperSpeed USB 3.0
Wi-Fi Wireless LAN (IEEE802.11b/g/n), (2.4 GHz only), with Dynamic NFC support. Features supported - FTP/FTPS, EOS Utility, SmartPhone, upload to web, wireless printing. Wi-Fi use may be restricted in certain countries or regions.
Other HDMI mini out (Type C, HDMI-CEC compatible), External Microphone In / Line In (Stereo mini jack), Headphone socket (Stereo mini jack), N3-type terminal (remote control terminal)
PictBridge via wireless LAN only
• 1x CompactFlash Type I (UDMA 7 compatible). Incompatible with Type II and Microdrive.
• 1x SD/SDHC/SDXC and UHS-I
SUPPORTED OPERATING SYSTEM
PC Windows 7 (excluding Starter Edition), Windows 8 and Windows 10
Macintosh OS X v10.7 to 10.11
Image Processing Digital Photo Professional 4.5 or later (RAW image processing)
Other EOS Utility 3.5 or later (inc. Remote Capture ), Picture Style Editor, Map Utility, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera Connect app (iOS/ Android)
Batteries Rechargeable Li-ion Battery LP-E6N (supplied) / LP-E6
Battery Life approx. 900 shots at 23°C, approx. 860 shots at 0°C (viewfinder shooting; based on the CIPA Standard and using the battery supplied with the camera)
Battery Indicator 6 levels, plus percentage
Power Saving Power turns off after 1, 2, 4, 8, 15 or 30 minutes.
Power Supply & Battery Chargers Battery charger LC-E6E (supplied), Battery charger LC-E6, AC Adapter AC-E6N and DC Coupler DR-E6, AC Adapter Kit ACK-E6N/ACK-E6, Car Battery Charger CBC-E6
Body Materials magnesium alloy body and polycarbonate with glass fibre prism cover
Operating Environment 0 to 40°C, 85% or less humidity
Dimensions (WxHxD) 150.7 x 116.4 x 75.9 mm
Weight (body only) approx. 890g
Viewfinder Eyecup Eg, Eg-series Dioptric Adjustment Lens with Rubber Frame Eg, Anti Fog Eyepiece Eg, Angle Finder C
Wireless File Transmitter Wireless File Transmitter WFT-E7B
Lenses All EF lenses (excluding EF-S and EF-M lenses)
Flash Canon Speedlites (90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX-II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT)
Battery Grip BG-E20
Remote Controller/Switch Remote control with N3 type contact, Wireless Controller LC-5 and Speedlite 600EX-II-RT
Other Hand Strap E2, Connect Station 100
All data is based on Canon standard testing methods except where indicated. Subject to change without notice. E&OE.
This document explains technologies found in the EOS 5D Mark IV
Dual Pixel RAW
Each of the 30 million pixels of the EOS 5D Mark IV is made up of two photodiodes which can be used together or individually. This technology enables the creation of Dual Pixel RAW files which contain a pair of images shot from two very slightly different points-of-view. When processed using Digital Photo Professional software, Dual Pixel RAW files allow photographers to perform one of three types of unique adjustments.
• Image Microadjustment allows the position of maximum sharpness to be adjusted, which is great for fine-tuning portrait images.
• Bokeh Shift allows out-of-focus highlights to be shifted horizontally so they coincide better with in-focus elements.
• Ghosting reduction can be used to reduce the appearance of artefacts like flare.
Digital Lens Optimizer
Canon’s Digital Lens Optimizer technology, which was previously only accessible when processing RAW files in the camera, can now be applied to JPEG files as they are captured. The Digital Lens Optimizer uses optical design values to correct various lens aberrations, diffraction and the softening of resolution caused by the low-pass filter.
IPTC (International Press and Tele Communication) is a standard for recording information within images. The EOS 5D Mark IV allows an IPTC template, created in popular software such as Photo Mechanic or EOS Utility, to be loaded to the camera. The IPTC data is then automatically embedded in the image as it is taken as an XMP file, meaning it can be read by all modern photo editing software. This is extremely important for fast paced industries such as news or sports as it saves time adding this data later.
• 30.4 megapixel full-frame CMOS sensor
• DIGIC 6+ processor
• 61 point AF System with 41 cross-type AF points
• 7 fps shooting
• 21 f8 compatible AF points
• AF system continues to work under moonlight (-3EV)
• 150,000-pixel RGB+IR metering sensor
• 252-zone metering
• EOS Intelligent Subject Analysis system
• Built-in Wi-Fi / NFC and GPS
• ISO 100 to 32000 (expandable to 50 and 102400)
• 7.10cm (3.2 inch) ClearView II LCD touch screen
• Dual Pixel RAW file format
• 4K movie-making
• Headphone socket and microphone mini jack (stereo)
• Remote operation via smart devices using Camera Connect app
Pricing and Availability:
• The EOS 5D Mark IV is available from September 2016 with an RRP of £3629 / €4899.99.
• The EF 16-35mm f2.8L III USM is available from October 2016 with an RRP of £2349.00 / €2999.99.
• The EF 24-105mm f4L II USM is available late 2016 with an RRP of £1129.00 / €1449.99.
EOS 5D Mark IV
CANON PRESS RELEASE
25 August 2016
For photographers in pursuit of the perfect shot –
the EOS 5D Mark IV
Renowned for enabling people to tell the stories that need to be told, the EOS 5D series has captured many of the world’s most significant moments in history. As successor to the EOS 5D Mark III, the EOS 5D Mark IV has been designed using first-hand feedback from the photographic community to create the most versatile EOS model yet.
Featuring a 30.4 megapixel CMOS sensor with wide exposure latitude, 7 frames per second (fps) high speed shooting, internal 4K movie recording and built-in Wi-Fi and GPS, the camera fuses speed and resolution with excellent low-light capability and movie functionality. The EOS 5D Mark IV is also the first EOS camera to premiere the innovative Dual Pixel RAW file format, allowing photographers to fine-tune images in post-production by adjusting or correcting the point of sharpness, shifting the foreground bokeh or reducing image ghosting.
The devil’s in the detail
The EOS 5D Mark IV features Canon’s brand new full frame 30.4 megapixel CMOS sensor, delivering images that are packed with detail, even in the brightest highlights and darkest shadows. With an ISO range of 100 to 32000, expandable from 50 up to 102400, images can be captured in an array of lighting environments. The enhanced noise processing algorithm further improves low light shooting, ideal for photojournalists who need to capture breaking stories no matter what lighting conditions they face.
Tracking faces and colour of fast moving subjects is easy with the 61-point wide area reticular AF system of the EOS 5D Mark IV. The 61-points / 41 cross-type AF points cover an expanded sensor area and provide the ability to focus even under moonlight at EV -3 in viewfinder shooting mode, or EV -4 in Live View mode. The EOS 5D Mark IV enables you to use Extenders with all telephoto lenses for f8 AF with all 61 points, including 21 cross-type for even greater precision. The high-resolution 3.2-inch LCD with full touch panel operation across all menus is combined with a new AF ‘Area Selection’ button providing quick AF point selection. Additionally, the camera features an advanced 150K RGB+IR metering sensor with a dedicated DIGIC 6 processor for accurate exposures and precise subject detection and tracking.
A need for speed
Designed to respond in an instant and never miss a shot, the high-speed readout technologies and DIGIC 6+ processor mean you can shoot at 7 fps at full resolution, with full AF / AE tracking. Capturing up to 21 RAW images or unlimited JPEGs in a single burst, you’ll always be ready for the next frame. For when discretion is needed - such as capturing breaking news or animals in their natural habitat - the camera features ‘Silent Single’ and ‘Silent Continuous’ modes, offering shooting with minimal noise.
Take the jump to 4K movie-making
With the EOS 5D Mark IV, 4K movie-making is open to anyone who wants to use the power of video to tell the bigger picture. A truly versatile camera, it features DCI 4K (4096 x 2160) at 30/25/24 fps shooting and provides the ability to extract 8.8MP JPEG images from 4K videos, making it a great companion for those wanting to easily switch from video to stills. Delivering quality footage has never been more important with streaming services increasingly demanding content be shot using the latest technology in the field. The EOS 5D Mark IV brings this advancement in the form of a video DSLR with internal 4K, 120p HD, Dual Pixel CMOS AF, time lapse movie and new HDR movie mode.
Enhanced operability and connectivity
Packed with a range of new and refined features requested by Canon’s professional community, the EOS 5D Mark IV provides unrivalled flexibility in connectivity. Built-in Wi-Fi enables remote operation and secure file transfer (FTPS/FTP) via smart devices using the Canon Camera Connect app and NFC provides instant connections between compatible devices. GPS geotags each image in the EXIF data with automatic time updates helping to manage images and, for the first time, IPTC metadata, such as details of a shoot, is automatically embedded.
Enhanced water and dust resistance makes the camera ideal for travel photographers or photojournalists working in challenging terrain.
Opening up new viewpoints with unrivalled image quality
Canon is renowned for having the largest lens system in the world and now adds the EF 24-105mm f4L IS II USM and the EF 16-35mm f2.8L III USM to its incredible lineup. A truly flexible and durable everyday lens, the EF 24-105mm f/4L IS II USM is a perfect tool for any photographer wanting to achieve high edge-to-edge sharpness over the entire zoom range. The 24-105mm focal length and f4 aperture is ideal for a variety of scenes, subjects and lighting conditions, while improved 4-stop IS and a new video design EDM provides quiet aperture adjustment during movie capture.
For exceptionally high-quality images that need to impress, Canon is proud to unveil the EF 16-35mm f/2.8L III USM. Working in perfect harmony with high-resolution sensors such as the one seen in the EOS 5D Mark IV, the high-performance lens provides exceptional image quality for professional and serious enthusiasts. The versatile focal length (16-35mm) will appeal to wedding photographers and photojournalists who need to work up close, whilst the fast, constant, f2.8 maximum aperture makes it an obvious choice for those shooting in low light.
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